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The Rega Carbon is a high quality, moving magnet pick-up cartridge designed to be simple to set up, easy to install and above all, accurately reproduce music.
Supplied as standard on the multi award winning P1 & P2 turntables, the Carbon performs far beyond its budget price tag.
The Fono Mini A2D is a compact high quality moving magnet disc stage with a circuit based on our multi award winning Fono MM. Our best selling phono stage also includes a USB interface which allows you to transfer your beloved vinyl to digital audio files.
Display Model Reduced To Clear. Immacualte Condition
The QX-5 MKII is a 3-way loudspeaker with a 12″ (300mm) bass driver, a 6.5″ (165mm) midrange driver and a ring dome treble unit. Much like the now-established and equally class-leading Mission LX MKII series, the QX MKII series takes an already phenomenal loudspeaker solution but refines it, optimises it, and brings even more vibrancy, finesse, and class, through a process of evolution, not revolution.
Taking acoustic technology and design cues from the flagship Concept 300, while also introducing new audio innovations, the Concept 30 standmount delivers truly high-end home audio performance.
A sonic step-up from the smaller Concept 30 speakers of the same series, these elegant floorstanders take everything great about its standmount brother but delivers more powerful audio, a deeper soundstage and increased bass extension through its leading-edge, low resonance cabinet.
Mission is proud to introduce the QX-12SUB MKII to complement the latest QX MKII Series of loudspeakers. Perfect for a QX MKII Series home-theatre system or musical bass extension in 2-channel applications, the QX-12SUB MKII utilises a 12-inch (300mm) long-throw bass driver with astounding bass impact.
The QX-4 MKII is a 2-way Floorstanding loudspeaker with two 6.5″ (165mm) bass drivers and a ring dome treble unit. Much like the now-established and equally class-leading Mission LX MKII series, the QX MKII series takes an already phenomenal loudspeaker solution but refines it, optimises it, and brings even more vibrancy, finesse, and class, through a process of evolution, not revolution.
The QX-3 MKII is a 2-way Floorstanding loudspeaker with two 5″ (135mm) bass drivers and a ring dome treble unit. Much like the now-established and equally class-leading Mission LX MKII series, the QX MKII series takes an already phenomenal loudspeaker solution but refines it, optimises it, and brings even more vibrancy, finesse, and class, through a process of evolution, not revolution.
The QX-2 MKII is a 2-way Standmount loudspeaker with a 6.5″ (165mm) bass driver and ring dome treble unit. Much like the now-established and equally class-leading Mission LX MKII series, the QX MKII series takes an already phenomenal loudspeaker solution but refines it, optimises it, and brings even more vibrancy, finesse, and class, through a process of evolution, not revolution.
The QX-1 MKII is a 2-way standmount loudspeaker with a 5″ (135mm) bass driver and ring dome treble unit. Much like the now-established and equally class-leading Mission LX MKII series, the QX MKII series takes an already phenomenal loudspeaker solution but refines it, optimises it, and brings even more vibrancy, finesse, and class, through a process of evolution, not revolution.
The QX-5 MKII is a 3-way loudspeaker with a 12″ (300mm) bass driver, a 6.5″ (165mm) midrange driver and a ring dome treble unit. Much like the now-established and equally class-leading Mission LX MKII series, the QX MKII series takes an already phenomenal loudspeaker solution but refines it, optimises it, and brings even more vibrancy, finesse, and class, through a process of evolution, not revolution.
The QB 12 is the first Q Acoustics subwoofer to feature a 12” driver. The big long-throw driver is powered by an ultra-low distortion 220-watt Class D amplifier for tight, powerful bass response, and features a 50mm voice coil for minimal thermal compression. Equally at home with Q Acoustics’ Concept and 3000i range of stereo and centre speakers, Q B12 is designed to be equally adept at reproducing big Hollywood action moments as it is the deep, subtle textures of bass instruments.