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The GEB-7 is a seven-band equalizer created specifically for the frequency range of the electric bass. Since the frequency range extends down to 50Hz, the GEB-7 is also great for adjusting depth and bottom end of an upright bass with pickups.
The DS-1 Distortion is a true icon in the world of guitar effects. Introduced in 1978, BOSS’s first distortion pedal defined a bold new sound, delivering hard-edged attack and smooth sustain that’s been a staple of players for generations. The DS-1 is the top-selling BOSS compact pedal ever, and its original, unchanged design continues to inspire the creation of great music everywhere. The classic DS-1 tone is behind the signature sounds of numerous rock legends, and is ready to fuel your own signature sound today.
The DS-2 Turbo Distortion features twin modes for an expanded range of distortion--taking users from blues-rock rhythms to searing leads at the press of a pedal or twist of a knob.
With the 200 series, BOSS introduces a new generation of pedals that pack advanced sound and versatility into a streamlined size that saves space on your board. Grab-and-go controls and multi-function switches make operation easy and intuitive, while onboard memories allow you to store multiple setups for instant recall. All 200 series pedals feature premium audio quality with 32-bit internal processing and offer support for external control via footswitches, an expression pedal, or MIDI. The EQ-200 is the most flexible compact EQ ever created for guitar and bass. It features two wide-ranging 10-band EQ channels, plus an onboard graphic display that shows the current EQ curve at a glance. Selectable signal flow structures configure the channels for stereo, parallel, or series operation, and it’s even possible to patch in external pedals for deep pre/post tone shaping. Going further, the frequency centers of all 10 bands can be set to three different types, letting you optimize the EQ-200’s performance for different instruments.
The OS-2 gives players a choice of overdrive or distortion or lets them combine both--all in a single compact pedal. Its distortion maintains the subtle nuances of single-coil guitar pickups.
The New Yorker is Takamine's smallest full-scale guitar. Super comfortable to play when seated or standing, the tone is sweet and clear with a frequency range that makes it stand out in the mix.