The second part of Bach's 48 preludes and fugues.

Published within the ‘Signature’ Series, a series of authoritative performing editions of standard keyboard works, prepared from original sources by leading scholars.

Revised edition of HN1064 without fingerings

Inventions and Sinfonias by Johann Sebastian Bach (1685-1750). Edited by Rudolf Steglich. Henle Music Folios with softcover. Published by G. Henle Verlag (HN1589)

The 6 French Suites for Piano with standard notation, fingerings and introductory text (does not include words) to the songs. The collection is suitable for advanced pianists.

Johann Sebastian Bach's three great cycles of suites belong to the fundamental canon of piano literature: the Partitas and the so-called English and French Suites.

A collection of the keyboard music of the period 1600-1750, offering a fairly representative selection of the forms, styles and composers of that period. Provides both scholarly performing editions and sources of enlightenment on performance conventions. Edited by Dr Richard Jones, a leading Bach scholar.

Eight wonderful sonatas for Keyboard instruments by English Classical composer, Thomas Arne, who composed many patriotic and Nationalistic works. Set for the ABRSM Grade 7 Harpsichord examination.

Dr. Jane Magrath has assembled this well-balanced collection containing two separate recital or audition programs that will display the pianist’s mastery of important appropriate works by composers of various stylistic eras.

This is the first of two volumes of music from the big country. Following the success of 'French Romantic Repertoire' and 'Russian Romantic Repertoire', Stephen Coombs has once again selected music from a diverse range of styles and composers, this time from America. They are presented in this volume designed to stretch pianists and delight audiences the world over. Published by Faber Music.

This unique compilation of 18 beautiful pieces pays tribute to 13 of the world's greatest women composers from the Baroque to contemporary periods. Included are works by Amy Beach, Teresa Carreño, Cecile Chaminade, Louise Farrenc, Clara Wieck Schumann and Maria Szymanowska as well as pieces from relatively unknown composers, ranging in difficulty from intermediate to moderately advanced.